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D’Angelico NYSS-3b.
The Holy
Grail of semi-acoustics.
The NYSS-3b is a
small body semi ( just a little bigger than a Les Paul) but
with big sound, superb tone, outstanding character, massive
sustain and excellent quality.
Built only with choice woods it is finished in Vintage Natural, with Gold
hardware. These guitars are a real player’s
delight!
Made in 2011, this fabulous instrument is Brand New and un-played.
It arrive still with it's protective film covering pickups and
pickguard and is offered complete with faux Alligator
case (which is also a work of art).
It is set-up with an incredibly low, fast action. As
always, the photos don’t do justice. This guitar is
immaculate.
It is widely believed that these guitars are no longer available, however, they continue to be made in small numbers, for the Japanese market
only, by the same people, at the same factory in Tokyo
and to
the same extremely high quality standards. This is exactly the same instrument that Vestax supplied
from 1999 to 2004 in the USA and until 2006 in the UK.
In order to continue supplying their home market without infringing the
legal ruling that restricted them distributing these guitars
outside Japan, Vestax now distribute their
D'Angelicos through their new Distributor - Crews
Corporation. Consequently, the
name Vestax has been replaced on the label by the name Crews
Corporation.
In every other respect, this is the same guitar as played by Kurt
Rosenwinkle.
I have an email
from Vestax authenticating this guitar and confirming that
it was the 4th guitar built on 24th July 2011.
I have owned several Vestax D'Angelicos (acoustic, electric
and semi) and they all have in common the most perfect necks
I ever have played. For me the neck
is really important and I am totally happy with these
amazing guitars.
You just can’t put this guitar down - it’s a players
instrument through and through. The tone of this guitar is
unbelievable. With the bridge pickup on, it gives you that
typical Carlton-Schofield 335 sound, but with the added
richness of spruce. In the neck position, it sounds just
like a big fat D'Angelico archtop - the solid spruce top
gives it a remarkable acoustic jazz sound.
It is the guitar of choice of one the world's greatest
up-and-coming jazz guitarists, Kurt Rosenwinkel and this is
what Kurt says about this guitar:
"I’ve always kept an arsenal
of guitars, and have always looked for very specific things
from each - the response and character of each note, the
clarity of each note within a chord, sustain, frequency
range, playability. I’ve often found myself compromising,
sacrificing one quality for another.
Now
that I have the NYSS-3, I feel that I’ve found the single
guitar I’ve been seeking for more than 15 years. It
produces a warm, fat tone, with a lot of front end—the kind
of tone I need to carry a band and push the music in
different directions without the sound getting in the way.
With every note I can feel the whole instrument resonate
under my fingers.
When
I’m absorbed in playing, I don’t want to be distracted by
the guitar, and with the D’Angelico, I can trust the
workmanship, I can trust it to always stay in tune and
always give me the sound I need."
Spec:
Selected Maple neck with
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Ivory neck binding
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24.75" scale
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Nut Width: 1 11/16"
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Ebony fingerboard
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22 frets
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Mother of Pearl inlays
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Mother of pearl D'Angelico Logo and New Yorker inlays on
headstock
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Rosewood overlay with Mother of pearl diamond inlay on
back of headstock
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Multi-ply black and white binding
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Grover Imperial Machines
Semi-Hollow body
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Small size, New Yorker Style 14.75" body with single
cutaway finished in Vintage Natural
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1.75" body depth
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German spruce top
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Flamed maple back and sides
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Multi-ply black and white binding on body and F holes
Electrics
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Two humbucking pickups mounted on guitar
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2 volume, 2 tone controls
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3 position toggle selector witch
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1/4" output jack
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Adjustable "tune-o-matic" type bridge
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Gold hardware
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New Yorker style tailpiece
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New Yorker style stairstep tortoise-shell pickguard with
black and white binding
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