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Rare, Vintage, Jazz,
Archtop, Guitar, Gibson, Byrdland, D'Angelico, Guild, Hofner,
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Restoration. |
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#081 The Pöhlert Jazz Guitar. |
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This is a very
important Hofner and so I took a while to consider exactly
the best strategy for its restoration.
For example,
it is a very attractive guitar but significantly it is incredibly
rare and is historically important. It has not
been used much and it has not been abused either.
It has, however, had
an earlier neck joint repair and a little poor work to the
cellulose. So, with this
guitar, because it carries with it a lot of Hofner
history, I shall just restore it lightly,
leaving it as untouched as possible.
My programme will be
to rectify any past repairs, remove the overspray,
refurbish where necessary then clean and polish it to its best advantage.
Finally I shall make
sure it plays as well as it can. |
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1. On Arrival I photograph
every detail. It
comes in useful later! |
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Generally the whole
guitar is in very good condition. |
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Only 6-8 of these were
made. Pickups work well but a little wear
to the chrome. |
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Square-cut cutaway. |
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Classic headstock with
bell flower motif. Committee style Van
Gent tuners missing their "teardrop" covers.
Notice that there is not a HOFNER logo. Herr
Pöhlert wanted this to be a Pöhlert guitar not a Hofner
guitar! |
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The old repair had been
over-sprayed but the re-finish had reacted with the original
cellulose! It was worse than
this but in this pic I have just started flatting down the
finish to be able to inspect the old repair.
On investigation the repair is good and strong so I wont
risk any further refinishing otherwise yet more new
cellulose could cause rejection. I shall
simply polish it with Carnauba Wax. |
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Rejection on the neck
too. I have removed most of the over-spray
and polished with Carnauba Wax.
Much better now! |
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A few deep marks but
otherwise it is in very good condition. |
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2. Synopsis. |
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I bought this guitar
knowing it would need a little work.
I knew that a repair had been done to the neck by the
previous owner. It didn't look very
pretty. I also suspected that there had been
some over-spraying around the neck joint.
I was not optimistic but the rarity of the guitar was my
whole reason for buying it!
When I had it in my hands I was pleased to confirm that it
had generally been well cared for over the years.
It played
reasonably well, and had a really nice, mellow tone - full,
rich and resonant! I hadn't expected that.
So, it would all be a
question of whether the past repairs had been done well.
Once I started work
on the Pöhlert, it soon became clear that the repairs
were better than I had thought. The work to the
neck (it appeared that the heel block had
separated from the neck) was good and strong.
It had simply been refinished rather badly which initially
had given the impression of a bad repair.
So, the Pöhlert was
actually in pretty good shape. The
restoration would be more to do with rectifying past work,
restoring its good looks, and making it play nicely!!
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3. Cleaning,
dealing with neck issues and rejuvenating the finish. |
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I always start with the
neck. I need to know that it will play nicely
before I invest more time! |
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The headstock is just
superb. Mother of Pearl inlaid into Holly (not
plastic) but without the HOFNER logo. The
Holly is just fading to Silver - perfect!
Nothing to do here. |
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50 years of
"fingers n thumbs" |
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Cleaned and all the
detail revealed. |
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A little wear to some
frets and fingerboard. |
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An easy, light,
fret-dress and polish. |
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Cleaned, sanded
with 1200 then 1800 Dry, and oiled. Not quite dry
yet in some of the pics! In total it will get 4 or 5 dressings with
Gibson "Luthier's Choice" Fretboard Conditioner (the best). |
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The whole Top was
lightly sanded with 2000 Wet to remove the over-spray and all minor surface
marks. |
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Then hand burnished to a
deep shine. I still prefer to
do this by hand. |
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The guitar is now
built-up and gets one final polish. It deserves
it! |
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I am always happy to
take extra time to get the fit of the Bridge perfect. It
makes so much difference to the clarity of the sound.
The same goes for the string height at the Nut
(or the zero fret if its a Hofner).
These fits are critical for good tonal quality. |
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Fortunately I had an
original '64 acoustic pickguard in stock.
Lucky! |
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The truss rod had not
been used in years. I made the vertical
mark on the end of the rod with a CD marker.
I wanted to be sure that, when I turned the nut, the rod was
not rotating too. Fortunately it was fine
but I lubricated it with 3in1 as a precaution for the
future. |
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4.
The Finished Guitar. |
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Looking good but I was
surprised at just how good the tone was. Sweet,
smooth, rich and very jazzy. Quite
majestic |
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Back
to - In the Workshop |
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